I photograph and document motorsport as art and culture.

My work follows the people, machines, and environments that shape the pursuit of speed. I move between track and paddock. On track, I photograph precision, physics, and risk. Off track, I observe the hands, tools, and routines that make it possible.I’m drawn to where beauty and risk coexist. Beauty shows up in design, light, machinery, and ambition. Risk is always present. Mechanical failure. Conditions. Financial pressure. The cost of pushing further than you should.

This work sits in that intersection.Motorsport isn’t a series of isolated moments. It’s a system. Built on preparation, repetition, and consequence. I photograph it as a living world, not just an event.

This started in karting, where my family races. It’s where I learned to see what happens around the edges of competition.Today, the work continues as an ongoing documentary study of motorsport as it’s lived. Across tracks, disciplines, and communities, held together by people, machines, and the pursuit of speed.